Genre-style features of the writer’s memoir

Abstract

У статті доведено, що епістолярій активно проникає в художню прозу, причому використовують його найрізноманітніше: від цитування документальних джерел до відтворення їх в авторській інтерпретації; часто письменники вводять у розповідну канву матеріали, стилізовані під документ. Та все ж найбільш поширеним на сьогоднішній день є використання у всій повноті документальних першоджерел, які здатні відтворити той чи інший етап у житті народу, донести до читача правду про певні історичні події. Окремі явища сьогодення, як і багато подій минулого, завжди дають змогу майстру художнього слова вживати яскраві форми, користуватися домислом – життя регламентує вибір форми відображення дійсності. Про певні явища нашого дня, як і про явища вчорашнього, набагато виразніше, ніж на сторінках художнього, белетризованого твору, можна розповісти, за допомогою фактів у спогадовій літературі. The article proves that the epistolary actively penetrates the artistic prose, and uses it most varied: from the citation of documentary sources to reproduction of them in the author’s interpretation; often writers introduce in the narrative channel materials stylized to the document. Yet the most widespread today is the full use of documentary sources that can reproduce this or that stage in the life of the people, to convey to the reader the truth about certain historical events. Separate phenomena of the present, as well as many events of the past, always allow the master of artistic words to use vivid forms, to use the idea - life regulates the choice of the form of reflection of reality. It is possible to tell about certain phenomena of our day, as well as of the events of yesterday, much more clearly than on the pages of the artistic, fictitious work, with the help of facts in the memoirs. Special periods of rising in the development of memoir literature are peculiar for such moments, when there is a necessity to mull over the important events of past and nowadays. Orientation on facts lets to see objectively some difficult, sometimes even controvertial notions in the condition of reappreciation the system of moral criteria, gives the opportunity to held that was unreacheable earlier. Literature, that is developing from the document, the fact, has the full list of qualities, that somehow coincide with the terms of rush life development – it brings inside itself a big power of the informational and recognitianal potential, it is characterized by special feature of psychological feature on the reader. Due to this, the researchers of the popularity of memoir literature are tend to explore it as a fully logical notion, which can mention some things, that are just appearing, that are in their dynamics. Trying to wide own opportunities, memoir literature turns in some laboratory, where the searching of new forms is gradually developing, which would coincide right, artistic analysis and depicted current proceccces. Memoir literature is known on literary science, as a litarery fact, which contains important and specific principles for the development the literature itself, features, facetes, aspect etc. Studying the memoir literature, spreading the limits of the «literary line», helps us to distinguish different and multifacete process of selfinfluence and swlfricheness of the literature as documentary, and also as an artistic.